Plus, my lovely editor is going on vacation for the next two weeks at the time of writing, so any advice I could give would no longer be up to date by the time this article is published anyway. I haven't played enough Modern or Standard lately to say anything confidently about the formats. ISBN 0-7869-0437-2.This time is a bit of a challenge for me, article-wise. Netheril: Empire of Magic ( TSR, Inc.), p.
Edited by Michele Carter, Keith Francis Strohm. ↑ Richard Baker, John Rogers, Robert J.“Plane Speaking: Tuning in to the Outer Planes”. ↑ Gary Gygax, David Cook, and François Marcela-Froideval (1985).↑ Cook, Findley, Herring, Kubasik, Sargent, Swan (1991).More complicated harmonies were rumored to be able to reach other layers.
Major chords usually took one to the second layer of a plane, while minor chords took one to the third layer. "Chord", in the table, indicates that multiple forks were required to ring in harmony. Quasi-elemental planes could be reached by using a fork tuned sharp for positive planes and flat for negative planes. If a plane had layers, this note always led to the first layer of that plane. "Pitch" is the single note to which an individual fork was tuned. Pure metals were used for inner planes, while alloys of those metals led to the respective paraelemental planes. For example, in general, gold led to upper planes, while iron led to lower planes. "Material" is the substance out of which the fork was made, usually metal. The following table details the forks known to access most planes. The engravings were characters that represented the plane and was tied around the neck with a leather thong. In Kara-Tur, the material component used for this spell by shugenja was an engraved coin. In some schools of thought, the size and metal type of the rod were crucial to guarantee the correct destination was reached, but there may have been other ways to attune a given rod to a specific plane. In addition to verbal and somatic components, the key to casting this spell was a forked metal rod of a certain size and composition that attuned it to the desired destination plane. Later versions had problems with accuracy, with one version having a maximum error of 500 miles (800 kilometers). The earliest version of this spell was quite accurate, placing the travelers at a specific location if desired. The caster could also choose to send a single subject to a random location on another plane, but if the subject was unwilling, the caster had to successfully touch the target and the victim had a chance to resist the magic of this spell. Willing subjects had to form a circle with the caster, holding hands or otherwise maintaining physical contact while the spell was being cast.
By means of this spell, the caster and up to seven or eight other beings could be transported to a chosen plane or alternate dimension, including specific layers of multilayer planes.
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